Category: Australian Awards for International Architecture

Cox Rayner Architecture – The Helix Bridge

The Helix Bridge is the primary connector between the old and new parts of Singapore. It crosses the Singapore River as its opening to Marina Bay, a large man-made harbour that is the city’s recreational harbour. The international competition for the pedestrian bridge sought a link that inspired Singaporeans to walk rather than drive as the core to the brief. Our solution of double helix tube was an outcome of analysis of the most delicate and human-scaled way to structure a bridge that curves in plan and integrates its roof canopy and lighting. The curved plan was devised for three reasons – one to continuously link perpendicular shorelines, two to enable the pedestrians to walk apart from the adjoining straight vehicular bridge, and three to embrace the harbour as a viewing arena of many water events. The first application of this type of structure to a bridge worldwide, it entails stainless steel tubes spiralling opposite directions, and diagonally threaded. The inherent strength supports the deck and canopy of glass and mesh, and a series of cantilevering viewing pods. The experience of crossing it has become renowned as a ‘must-do’ for all Singaporeans and tourists.

Photos by Christopher Frederick Jones

Cox Architects & Planners – Platinum Sentral

Platinum Sentral, is an active retail and commercial development at the heart of Kuala Lumpur Sentral. The development upon an existing desolate concrete deck over Kuala Lumpur’s busiest railway interchange has created a green oasis of pocket parks, green walls and water features, in an otherwise extremely dense urban precinct dominated by vehicular traffic. The campus of buildings constrained by the existing structure was designed to weave a landscape of parks activated by food and beverage outlets around a central internal retail atrium whilst providing a campus of individual office buildings above. The internal public atrium is entirely naturally ventilated, a first for Malaysia, bringing office workers and public together with a sense of containment and discovery. Key the client brief was the desire to create a green heart for this portion of the KL Sentral development as well as that of a national benchmark in terms of Environmentally Sustainable Design. The design response to these objectives was to create a series of open pocket parks that engage a circuitous linear internal street activated by retail and food and beverage outlets to enable movement through the site as well as to make connections to key linkages to surrounding developments.

Photos by David Yeow

ArchiCentre Sdn Bhd – No.19

Nestled in the bustling commercial area of SS15 Subang Town Centre, No. 19 is the reincarnation of a late 1970’s 3-storey shop house refurbished into a green rated modern flexible-use studio gallery. The brief called for the rejuvenation of an old shop house in an aging and generally dilapidated part of the town centre. It was decided that the new building should incorporate green sustainable features and also be flexible to suit multiple future uses. The architectural language sought to lift the aesthetic quality of the street whilst maintaining the scale and bohemian feel of the area. The poorly maintained 22 feet x 80 feet intermediate shop building was stripped to its original structure and retrofitted for green certification. In the sea of concrete and terracotta roof tiles, the steel vertical fins of the new facade become a contemporary respite. The project employed an array of green features including solar PV, wind turbines and solar screening.

Photos by LinHo

ArchiCentre Sdn Bhd – S11

The S11 house is a new green tropical house located in an established older suburb of Petaling Jaya, planned for the site and conceptualized along the lines of a tree. The large tree canopy would cover and shelter the living spaces underneath it. The S11 house is Malaysia’s first GBI Platinum (DA) rated building. Much of the demolished old house materials were re-used. The S11 house has a clear north-south orientation for all its openings and windows. The east and west walls were deliberately void of any significant glazed openings and were constructed of better insulated aerated light weight concrete blocks. In addition they were coated in heat-reflecting paint in camouflage motif and also shaded by a wire netting screen wall of fruit and vegetable climbers. These would help to reduce much of the heat gain through the east and west walls. The majority of the house has bare natural finishes – raw off-form concrete walls and ceilings, cement plastered walls without paint and natural fair-faced common red clay brickwork. Limited surfaces are painted with Low VOC paints. The swimming pool and koi pond are located at the two extreme north-south ends and provide evaporative cooling for the house.

Photos by LinHo

Australia House by Andrew Burns Architects

Australia House is located in the ‘snow country’, approximately three hours north of Tokyo and inland from the Japan Sea. The region experiences the heaviest snow falls for the location closest to the equator, receiving up to 1.5 metres of snowfall per night. The project was initiated by the Australian Embassy Tokyo, Art Front Gallery and Tokomachi City as part of the Echigo-Tsumari Art Triennale, following the collapse of the original ‘Australia House’; a traditional Japanese ‘minka’ farmhouse. As such, it stands as a statement of resilience and healing following the disaster of the quake known as 3/11. The building is a compact triangular form, providing a range of gallery volumes and living spaces within a tight volume. The primary gallery space, known as the ‘wide gallery’ is triangular, and has a large sliding glazed wall facing a steep embankment. In this way, the landscape wall becomes the third wall of the gallery, engaging the works within the space with the landscape and community.

Photos by Brett Boardman Photography.

 

The 2014 Australian Awards for International Architecture winners have now been announced!

Small Project Architecture

Award: Shelter@Rainforest by Marra + Yeh Architects

Commendation: Kunshan Modular Pavilions by Brearley Architects + Urbanists (B.A.U.)

Commercial Architecture

Award: PARKROYAL on Pickering, Singapore by WOHA

Commendation: Asia Square by Denton Corker Marshall

Interior Architecture

Award: ASB North Wharf by BVN Donovan Hill

Commendation: Regional Terminal at Christchurch Airport, a joint development between Air New Zealand and Christchurch International Airport by BVN Donovan Hill in association with Jasmax

Residential Architecture

Award: The Sukhothai Residences by Kerry Hill Architects

Commendation: Urban Suites by Kerry Hill Architects

Public Architecture

Award: Stonehenge Exhibition + Visitor Centre by Denton Corker Marshall

Commendation: Phoenix Valley Youth Palace & Grand Theatre by studio505

Commendation: Binus Kindergarten and Primary School by Denton Corker Marshall Jakarta (PT Duta Cermat Mandiri)


About the Awards

The National Architecture Awards International Architecture category acknowledges the work of Institute members resident outside Australia and local members undertaking commissions overseas. It is given only at the National level and not at Chapter or Region level.

Entries will initially be considered by the Australian Awards for International Architecture Jury, which will develop a short list of entries to be considered by the National Jury.

Projects in this category must be located outside of Australia.

2012 2013 2014

 

2012 Winner: Toi o Tamaki – FJMT + Archimedia

The new Auckland Art Gallery Toi o Tāmaki is an extensive public project that includes the restoration and adaption of heritage buildings; a new building extension which more than doubles the public exhibition areas; extensive basement storage and support areas; and the redesign of adjacent areas of Albert Park.

The new building is characterised by a series of fine ‘tree-like’ canopies that define and cover the entry forecourt, atrium and gallery areas. These light, profiled forms are inspired by the adjacent canopy of pohutukawa trees and ‘hover’ over the stone walls and terraces that reinterpret the natural topography of the site. The ceilings of the canopies are assembled from carefully selected Kauri, profiled into precise geometric patterns and supported on slender and tapering shafts. These emblematic forms give the Gallery with a unique identity that is inspired by the natural landscape of the site.

Between the stepped stone podium and hovering canopies, an openness and transparency is created to allow views through, into and out of the Gallery circulation and display spaces into the green landscape of Albert Park. In this way the Gallery opens to the park and adjoining public spaces in an inviting and engaging gesture of welcome.

Photo credits: John Gollings, Patrick Reynolds

Jorn Utzon Award for International Architecture event at SPACE

An event took place at SPACE in Singapore to congratulate the five finalists of the Jorn Utzon Award.

The certificates were presented by National President Shelley Penn and Chair of the International Area Committee, Hank Koning. The event also marked the release of the ‘A Series’ short films by Creative Agent, Lindy Johnson and Filmmaker, Alex Chomicz featuring the Australian architects shortlisted in the WAF.

Since then, the National Architecture Awards have taken place, and a winner announced for the Jorn Utzon Award for International Architecture – congratulations to FJMT + Archimedia for the Auckland Art Gallery Toi O Tamaki!

These were the finalists for the International Architecture category:

–          Toi o Tamaki – FJMT + Archimedia

–          Space Asia Hub – WOHA

–          Intercontinental Sanya Resort – WOHA

–          University of Indonesia Central Library – Denton Corker Marshall

–          Fusionopolis 2B – T.R. Hamzah & Yeang Sdn. Bhd

The Institute would like to thank sponsors SPACE and moooi for their generous support in celebrating Australian architecture abroad.

2012 Finalist: Space Asia Hub – WOHA

Space Furniture’s new Asia hub for furniture design is located in the midst of the Arts and Entertainment District. Housed within a unique cluster of heritage buildings within a gazetted conservation area, it comprises two conserved buildings – a villa and a shophouse – flanking an existing infill unit. This redevelopment creates a contemporary retail showroom with expanded lifestyle facilities while retaining heritage elements.The mix of past styles and forms provides an effective backdrop for the furniture, providing authentic settings for a variety of designs.

The design strategy contrasts old and new, but in the context of a dialogue, rather than a rigid separation, and prioritizing spatial clarity and reading of the old forms as archetypal forms, over conserving elements of inferior quality.

In the two conserved buildings, new timber trusses provide free spans to reveal high volume, column-free showroom interiors, a potential inherent in the existing form and architecture. Parts of the existing party wall were taken down and new staircases introduced to open up, connect and mediate the different levels across the 3 developments as an integrated showroom. The improved visual porosity across the units reveal new volumes of varying scales and enhances the overall appreciation of the spatial richness previously hidden within the built forms.

At the street level, an public space is created around restored buildings, providing amenity and allowing the conserved buildings to be appreciated in the eclectic neighbourhood. The plaza is a woven tapestry of terracotta and pebblewash strips in varying hues reminiscent of traditional materials and regional ‘sarong’ textiles, giving the development a contemporary yet distinctive character that references its Asian location. These finishes flow into the interior of the glass curtain-walled infill unit, giving a perception of a large, continuous and inviting urban space that integrates the 3 distinct buildings, and provide generous spaces for events and activities.

Photo credits: Patrick Bingham Hall

2012 Finalist: Intercontinental Sanya Resort – WOHA

The Intercontinental Sanya Resort comprises of a hotel with 350 rooms and related facilities. The hotel stretches from a busy entertainment spine to the natural forest of the rocky point.

One third of the rooms are located in a 10-storey curved linear block that frames the arrival space. Two thirds of the rooms are located in huge water courtyards, and are more resort-like in feel. These rooms are an innovative hybrid of detached villas and room blocks. Each room has a private open air garden bathroom, and a detached cabana that is reached via a bridge or garden.

The design combines masterplanning, landscape, architecture and interiors to set up a series of views and vistas to the sea, framed by coconut trees, reflected in water, and then reframed again with stone, timber and fabric, ensuring every room has a special view. The design of the various public areas varies from urban and formal to casual and beachy.

The entire resort is designed as a patchwork of inhabited gardens, giving a foreground to the views of the owner�s highrise apartments behind. The design is inspired by Chinese screens, palaces and compounds, interpreted in a contemporary fashion. The huge precast concrete screen is an aperiodic mathematical tiling.

The hotel is designed to sustainable principles such as passive energy saving design (large overhangs, natural light, cross-ventilation, shaded courtyards, and planted roofs), use of indigenous seasonal landscape and water conservation and recycling.

Photo credits: Patrick Bingham Hall

2012 Finalist: University of Indonesia Central Library – Denton Corker Marshall

Selected in an open design competition, the scheme for a new university library deftly bridges the past and present.

On a highly visible and central site, the library integrates once-dispersed social and recreation facilities. It becomes the university’s new student hub, a site for interaction with knowledge and with others.

A series of towers projects from a circular landform. The concept takes inspiration from the ancient Indonesian practice of inscribing wisdom on stone tablets, and makes the leap into modern day Indonesia as a series of abstracted stone tablets – ‘prasasti’ – rising from the circular grass-covered earth mound. The granite-clad tablets of varying heights are ‘inscribed’ with narrow glazed bands, filtering light into the volumes below.

Below the mound’s soil layer and concrete roof, five storeys of rare manuscripts, books and research/reference materials are housed in a stable temperature away from direct sunlight. Solid stone cladding and narrow bands of glazing further reduce heat gain, reducing the air conditioning load.

Lakeside, the landform opens up to an amphitheatre with mature mahogany trees overlooking the lake. The opening identifies the main entry, and admits light into the interior.

An inspiring landmark, the library belongs to and enhances the university campus.

Photo credits: Denton Corker Marshall

2012 Finalist: Fusionopolis 2B – T.R. Hamzah & Yeang Sdn. Bhd.

Solaris Fusionopolis 2B is a flagship project of the second phase of Singapore One-North known as Fusionopolis. With a mixed artificial site consisting of partially devastated ecology and revegetated areas, the design enhances the biodiversity for the locality while providing a unique public realm in the form of ramped linear ‘Vertical Landscaped Park’ as an innovative solution for the high-rise building type. The incorporation of an extensive eco-infrastructure, sustainable design features and a strong vertical landscaping concept exemplifies an innovative built system that pushes the boundaries of ‘green’ construction. The elegant stepped building which rises to the height of 15 storeys, equip with public spaces, flexible offices and laboratories wrapped around a central, naturally ventilated atrium. The natural daylight that penetrates the interior of the building is regarded as a visionary way to provide a productive environment. Solaris has been awarded a platinum rating by the country’s Green Mark certification system.

Photo credits: Albert Lim