Author: acato

Winners of the Central Queensland Regional Architecture Awards revealed

The best new local projects have been honoured in the Australian Institute of Architects’ 2016 Central Queensland Regional Architecture Awards announced Friday in Yeppoon. 

The jury awarded Regional Commendations to seven projects (see list below) which will now progress to the coveted State Architecture Awards to be announced in Brisbane on 24 June.

In addition to a Regional Commendation, CQU Health Clinic Extension by Reddog Architects was presented with the J W Wilson Award for Building of the Year.

‘The CQU Health Clinic expansion integrates both the professional requirements of external parties, and a public interface, with the university’s learning objects. Sky-lighting, spatial interplay and a palette of natural colours bring a sophisticated quality to circulation spaces and a fresh sensibility to the healthcare typology,’ the jury noted.

St Brendan’s Catholic Primary School, Stage 1 by Bold Architecture + Interior Design was also awarded Regional Project of the Year in addition to a Regional Commendation.

Queensland 2016 Awards Jury Director, Michael Lavery (m3architecture), presented the Regional Commendations to the Central Queensland winners at the Yeppoon Town Hall on Friday 12 February.

Regional Commendations:

 

Architectural Project Architectural Practice Location
Gladstone State High

School – Year 7 Block

TVS architects Gladstone
CQU Health Clinic

Extension

Reddog Architects Pty Ltd North Rockhampton
Former Pioneer Shire

Council Building

Conrad Gargett Mackay
Mount Whitsunday

Residence

Push Mount Whitsunday
Rainbow Valley Early

Learning Centre

BEAT Architects Telina
St Brendan’s Catholic

Primary School, Stage 1

Bold Architecture &

Interior Design

Rural View
Anglican Church of St

James the Fisherman

ThomsonAdsett Yeppoon

Vale Paul Pholeros

On behalf of the Australian Institute of Architects, National President, Jon Clements has expressed great sadness at the death of advocate, humanitarian and Founding Director of Healthabitat, Paul Pholeros.

‘This is a very sad time and great loss for our community,’ Jon Clements said.

‘With his unwavering commitment to improving the lives of those living in disadvantaged communities around the world through his award-winning health and sanitation programs, Paul has long been a source of inspiration to us.

‘Anyone who had the opportunity to hear him speak about his work, could not help but be moved, changed in some fundamental way.

‘His exceptional work has made valuable impact in Indigenous and disadvantaged communities across Australia and around the world from Johannesburg to New York and will leave an enduring legacy on those who were fortunate enough to meet him and those who benefitted from his generosity.’

2014 Gold Medallists and friends Phil Harris and Adrian Welke of Troppo added:

‘In the politically charged world of Indigenous affairs, Paul never stepped back from simply telling it straight. As the best architect should be, he was a champion for his client. He was our mentor, our guide, and always our friend, with a twinkle in his eye and a self-deprecating quip at the ready.

‘It is impossible to imagine his lean and taught bower and studio high on Bilgola Plateau – the platform refuge shared with his partner Sandra – without his big presence. It was here, between months on the road, surrounded by bush and a big view, he would recharge, to continue his polite but unwavering 30 year battle against the antipathy and prejudice that precludes our first Australians in sharing our society’s riches of housing, health and education.

‘The torch will be carried on, for he has taught us well – but how well and with what authority is the question, and, for all of us, our individual challenge.’

Richard Leplastrier, 1999 Gold Medallist, shared his thoughts:

‘Dr Phol as he was lovingly known to so many of us, realised from the youngest age as a student that Aboriginal culture and the land was the spiritual backbone of this country.

‘From that time on, he unrelentingly pursued its sustenance through his brilliant work with Indigenous communities. The background financial support for his Healthabitat practices has been provided by a series of small, modest beautiful buildings done by him over the years … thus showing us an exemplary ethic. What an example. What a tour de force. What a life. What a loss. Game set and match Dr Phol.’

A Life Fellow of the Institute, Paul Pholeros, along with Healthabitat, was the winner of the UN Habitat and Building and Social Housing Foundation’s 2011 World Habitat Award.

He was appointed a Member of the Order of Australia in 2007 for ‘service to the community by improving the living conditions and, consequently, the health of Indigenous communities through the design, development and improvement of housing and the surrounding living environment and working with, and creating employment for, local Indigenous people’.

In 2012, Paul and his Healthabitat colleagues were one of six teams that participated in Australia’s exhibition Formations at the Venice Architecture Biennale. Their contribution included a touring team consulting local Venetians about ways to improve their homes and educating the public about connections between housing design and health issues based on their World Habitat Award winning Housing for Health program.

Paul was a speaker at the 2015 Australasian Student Congress in Melbourne, the 2011 recipient of the Institute’s Leadership in Sustainability Prize, winner of a Special Jury Prize from the 2008 National Architecture Awards Jury for architectural contribution to Indigenous housing over 25 years and received the Royal Australian Institute of Architects’ President’s Award in 1994 for the publication of Housing for Health: Towards an improved living environment for Aboriginal Australians.

Droga Architecture Residency welcomes Finnish icon

Renowned Finnish architect and architectural philosopher, Juhani Pallasmaa will shortly arrive in Australia ahead of his Droga Architecture Residency.

A former juror for the Pritzker Architecture Prize and jury member for the extension of Sydney Modern, Pallasmaa will present a series of lectures around the country beginning at the Sydney Opera House on 23 February.

‘Juhani Pallasmaa is highly regarded worldwide for not only his architectural works but his contributions through lectures, seminars, books, exhibitions and philosophical reflections.

‘It is a great honour and a great opportunity to host Juhani as the next Droga Architect in Residence and we are excited by the wealth of expertise and inspiration he will bring as he tours the country,’ Jury Chair Brit Andresen said.

Pallasmaa’s lecture series, titled The Australian Lectures: Touching the World Through Architecture, will explore alternative directions for architecture, away from purely vision, form and aesthetics, drawing from philosophy, psychology, biology, neuroscience and the analysis of artistic phenomena.

Pallasmaa has practised architecture since the early 1960s, establishing his own office in 1983. In addition to architectural design, he has been active in urban, exhibition, product and graphic design.

An Emeritus Professor, he has taught and lectured widely in Europe, North and South America, Australia, Africa and Asia and has published books and numerous essays on the philosophy and critique of architecture and the arts in over thirty languages.

The Droga Architecture Residency invites international architects to participate in a three-month program encouraging the exploration of new approaches, the exchange of ideas, international collaboration and cross-fertilisation.

Managed by the Australian Institute of Architects Foundation, it is the first program of its kind in the Southern Hemisphere and is named after cultural philanthropist and supporter of the Institute, Daniel Droga, who generously gifted his award-winning Droga Apartment in Surry Hills for use as an architect residency.

For more information about the residency and associated events visit wp.architecture.com.au/foundation/current-residencies/

 

The Australian Lectures

Sydney – Opening Lecture
Tuesday 23 February, Sydney Opera House
ATMOSPHERE AND MOOD – feeling space and place

10 March – Melbourne
DWELLING IN TIME – the architectural meaning of time

31 March – Brisbane
IN PRAISE OF VAGUENESS – diffuse thought and peripheral vision

9 April – Canberra
EMPATHETIC IMAGINATION – embodied simulation in architecture

April (Date TBC) – Adelaide
COMPLEXITY OF SIMPLICITY – the inner structure of artistic imagery

13 April – Sydney
TRADITION AND NEWNESS – the meaning of artistic continuity

Australia Day Honours reward Institute Fellows

The Australian Institute of Architects congratulates Fellows John Gollings and Donald Goldsworthy on their receipt of Australia Day Honours.

Mr Gollings was appointed a Member of the Order of Australia for ‘significant service to photography through documentation of iconic architectural landmarks in Australia and the Asia-Pacific region’.

John Gollings was made an Honorary Fellow of the Institute in 2004 and has received numerous Institute accolades including the 2013 William J Mitchell International Committee Prize, the 1990 and 1998 President’s Award and the 2008 Victorian President’s Prize.

In 2010, Gollings was Co-Creative Director of the Australian Pavilion of the Venice Architecture Biennale. Together with Ivan Rijavek he created the exhibition Now and When, which represented new paradigms for the city of the future: in 3D, juxtaposed with the current condition of Australian cities photographed from a helicopter. This exhibition attracted hundreds of thousands of visitors as it travelled around many major cities of Asia.

Mr Goldsworthy was awarded a Medal of the Order of Australia ‘for service to architecture and urban design’.

A Fellow of the Victorian Chapter since 2010, Donald Goldsworthy established his own practice in 1995 providing consultant services across architecture, strategic planning, asset management, urban design and project procurement.

Throughout his career he has worked with the City of Greater Bendigo, the Department of Planning and Development for the Victorian State Government, and the Rehabilitation and Feasibility Branch for the Ministry of Housing.

Institute focuses resources to provide more equitable benefits to members

The Australian Institute of Architects’ National Council has just announced a set of measures to adapt and concentrate the organisations resources following a review of the Institute’s business model.

Guided by the imperative that the Institute delivers equitable value to members, the profession and the community, National Council has agreed on amending the focus of the Institute’s resources on three core areas: membership services, advocacy and education.

In response to this streamlined strategy and ahead of the new year, National Council in consultation with stake holder representatives has outlined changes that include the closure of Architext bookstores in Melbourne and Sydney, and the closure of the Newcastle office.

‘These decisions have been difficult but are necessary and part of a broader change process that will ensure the best and most equitable use of the Institute’s resources. The provision of timely and relevant members’ services remains paramount to our focus with 2016 no doubt shaping up to be a challenging but rewarding year,’ National President Jon Clements said in communications to members, councillors and staff.

‘Many bricks-and-mortar retailers have been hit by online retail, but bookselling has been hit harder still with e-books and the internet radically changing the publishing industry. Architext has not been immune from these pressures and is no longer sustainable as a business.’

Architext will close its stores in Sydney and Melbourne on 31 March 2016. It is the end of an era, but the Institute is committed to ensuring that all of its members have equitable access to quality specialist books and publications. The organisation is currently exploring partnerships with select bookshops nationally. Contracts will be available online and from Chapter offices.

Newcastle and NSW Country Divisions operations, currently based in Newcastle, will relocate to the NSW Chapter offices.

‘The Divisions, its committees and members are passionate and engaged, and its initiatives and events perform well. However, while the office has provided valued services to the Divisions for many years, in the current climate we are unable to support the significant costs associated with running a stand-alone office. The relocation will take immediate effect. In addition, the activities provided by the two Newcastle-based staff will be absorbed by the NSW Chapter, which will lift its resources to cater to the extra requirements this change brings about.

‘National Council recognises the enormous support and commitment from the Division Committees in regional NSW. We acknowledge in particular the work of both Chairs, Sarah Aldridge and Debra McKendry-Hunt, who have been strong advocates for both Divisions. National Council is equally committed to ensuring that the 2016 planned regional programs continue with direct support from the NSW Chapter and wider Institute, Mr Clements said.

Architects disappointed with ACT Government’s Mr Fluffy home replacement

The ACT Chapter of the Australian Institute of Architects is disappointed that the ACT Government has not adopted more recommendations for its Draft Territory Plan Variation (DV343).

Following the release of the ACT Government’s draft policy earlier in the year, the Institute recommended amendments that would address the limited supply of a variety of housing types across the city and reduce the pressure for unsustainable urban sprawl. However, the DV343 Code has been issued with only minimal changes to the draft.

‘The Mr Fluffy buyback scheme presents a rare opportunity to create innovative housing options for our growing, ageing population that also supports a sustainable future for our city.

‘The Institute believes the government has missed a never–to-be-repeated opportunity to deliver a long-term high quality design and sustainable planning policy for a growing and changing city,’ ACT Chapter President Andrew Wilson said.

Canberra needs alternative housing options to the traditional single dwelling. While DV343 has reduced the minimum allowable block size for dual occupancy, the process has been restricted by limiting the plot ratio to 35 per cent, compared to a 50 per cent ratio for a single house.

The government has also missed the opportunity to invest in master or precinct plans for groupings of Mr Fluffy sites. The Institute recommended a quality design process involving neighbour consultation that would allow for concepts that are currently restricted by the Territory Plan.

Innovative approaches like those explored last year in the successful ACT Government supported design competition New Experimental Architectural Typologies could include block amalgamations to enable duplexes and housing co-operatives resulting in more diverse communities.

The Institute wants to see the ACT Government improve DV343 to positively address urban change by providing varied housing options for all members of the community.

From the very small to the monumental, architecture at all scales celebrated at National Awards

The 2015 winners of the Australian Institute of Architects’ National Architecture Awards have been announced at a special ceremony in Brisbane on Thursday 5 November.

42 projects shared a total of 46 national honours in the coveted Awards program spanning 14 diverse categories. The jury, chaired by the Institute’s Immediate Past President David Karotkin, selected the winners after creating a shortlist from the 185 eligible projects following the Chapter Architecture Awards held earlier in the year.

[vimeo 144825346 w=500 h=281]

ARM Architecture’s Shrine of Remembrance – Galleries of Remembrance, the culmination of a masterplan for the Melbourne monument that was established 15 years ago, won the 2015 Sir Zelman Cowen Award for Public Architecture.

The sought-after distinction was presented by the jury for the ‘masterstroke’ of cutting courtyards into the historic grassed mound, resolving ‘the programmatic challenges of turning a landmark monument into a major museum and gallery building while keeping intact the original urban design concept’.

‘This outstanding final stage reinstates the symmetry of the four quadrants of the Shrine’s original 1927 layout. What is remarkable about these latest additions is that they enhance the appreciation of the existing monument while confidently creating a new and intriguing visitor experience,’ the jury said.

At the other end of the scale, a ‘very small, neglected barn’ in Hobart has been successfully re-envisioned as a home by emerging architects Liz Walsh and Alex Nielsen (workbylizandalex). #thebarnTAS thoroughly impressed the jury taking out the top prize for Small Project Architecture, the Nicholas Murcutt Award and an Award for Heritage for the ‘brilliant solution’ that ‘overwhelmingly demonstrates that less can be much more’.

‘The historic structure has been lovingly retained – even its original shingles have been scrupulously cleaned and now form a ceiling to the upper mezzanine bedroom. This is an excellent example of how the limits and challenges of heritage and conservation can encourage inventive solutions. Regulatory, technical and structural requirements have not been seen as impediments but rather as creative possibilities,’ the jury stated.

Planchonella House, a Cairns home nestled in the treetops of the surrounding rainforest, by Jesse Bennett Architect Builder won the Robin Boyd Award for Residential Architecture – Houses (New).

‘Here is an architect/builder/inventor and an interior innovator at their combined best.

‘The house often appears raw because of the directness of its materials but it is highly sophisticated and inventive in its detailing. The combination is surprising and confident and it is this that sets this house apart,’ the jury noted.

The National Architecture Awards program has been held annually since 1981 and is one of the largest of its kind in the world. In 2015, there were 861 entries (753 projects) from around the country and abroad for the 14 national categories. Entries progress through Regional and Chapter Awards, with projects receiving awards and Named Awards at Chapter level being eligible for the National Awards.

Full list of winning projects:

Commercial Architecture

Harry Seidler Award – 50 Martin Place by JPW (NSW)
National Award – The GPT Group’s Wollongong Central by HDR Rice Daubney (NSW)
National Commendation – Equestrian Centre, Merricks by Seth Stein Architects (London) in association with Watson Architecture + Design (Melbourne) (Vic)

Educational Architecture

Daryl Jackson Award – Melbourne School of Design, The University of Melbourne by John Wardle Architects & NADAAA in collaboration (Vic)
National Award – UTS Science Faculty, Building 7 by Durbach Block Jaggers Architects & BVN (NSW)
National Commendation – Camperdown Childcare by CO-AP (Architects) (NSW)
National Commendation – Jeffrey Smart Building, University of South Australia by John Wardle Architects in association with Phillips/Pilkington Architects (SA)

Enduring Architecture

National Enduring Architecture Award – Council House by Howlett & Bailey Architects (WA)

Heritage

Lachlan Macquarie Award – Irving Street Brewery by Tzannes Associates (NSW)
National Award – The Abbey, Johnston Street, Annandale by Design 5 – Architects (NSW)
National Award – Coriyule by Bryce Raworth & Trethowan Architecture (Vic)
National Award – #thebarnTAS by workbylizandalex (Tas)

Interior Architecture

Emil Sodersten Award – Bankstown Library and Knowledge Centre by Francis-Jones Morehen Thorp (NSW)
National Award – The University of Queensland Global Change Institute by HASSELL (Qld)
National Commendation – Medibank by HASSELL (Vic)

International Architecture

Jørn Utzon Award – Pico Branch Library by Koning Eizenberg Architecture Inc. (United States)
Australian Award – Aman, Tokyo by Kerry Hill Architects (Japan)
Australian Award – Gloucestershire Garden Room by robert grace architecture (United Kingdom)

Public Architecture

Sir Zelman Cowen Award – Shrine of Remembrance – Galleries of Remembrance by ARM Architecture (Vic)
National Award – Adelaide Oval Redevelopment by Cox Architecture, Walter Brooke and Hames Sharley (SA)
National Commendation – Lady Cilento Children’s Hospital by Conrad Gargett Lyons (Qld)
National Commendation – Fiona Stanley Hospital – Main Hospital Building by The Fiona Stanley Hospital Design Collaboration (comprising HASSELL, Hames Sharley and Silver Thomas Hanley) (WA)
National Commendation – Margaret Court Arena by NH Architecture + Populous (Vic)

Residential Architecture – Houses (Alterations and Additions)

Eleanor Cullis-Hill Award – Tower House by Andrew Maynard Architects (Vic)
National Award – Local House by MAKE Architecture (Vic)
National Award – Orama by Smart Design Studio (NSW)
National Commendation – Walter Street Terrace by David Boyle Architect (NSW)

Residential Architecture – Houses (New)

Robin Boyd Award – Planchonella House by Jesse Bennett Architect Builder (Qld)
National Award – Light House by Peter Stutchbury Architecture (NSW)
National Award – Sawmill House by Archier (Vic)
National Award – Villa Marittima, St Andrews Beach by Robin Williams Architect (Vic)
National Award – Balmoral House by Clinton Murray + Polly Harbison (NSW)

Residential Architecture – Multiple Housing

Frederick Romberg Award – Upper House by Jackson Clements Burrows Architects (Vic)
National Award – Studios 54 by Hill Thalis Architecture + Urban Projects (NSW)

Small Project Architecture

Nicholas Murcutt Award – #thebarnTAS by workbylizandalex (Tas)
National Commendation – LOVESTORY shop by MORQ (WA)
National Commendation – Moonlight Cabin by Jackson Clements Burrows Architects (Vic)

Sustainable Architecture

David Oppenheim Award – The University of Queensland Global Change Institute by HASSELL (Qld)
National Award – Bethanga House by tUG workshop (Vic)
National Award – Library at The Dock by Clare Design + Hayball (Architect of Record) (Vic)
National Commendation – Sustainable Buildings Research Centre (SBRC) – University of Wollongong by COX Richardson (NSW)
National Commendation – Cameraygal (formerly Dunbar building) by NSW Government Architect’s Office (NSW)

Urban Design

Walter Burley Griffin Award – NewActon Precinct by Fender Katsalidis Architects (ACT)
National Award – Monash University North West Precinct by Jackson Clements Burrows Architects in collaboration with MGS Architects (masterplan) (Vic)

COLORBOND® Award for Steel Architecture

Award – Adelaide Oval Redevelopment by Cox Architecture, Walter Brooke and Hames Sharley (SA)
Commendation – 50 Martin Place by JPW (NSW)

 

View the gallery of winning projects here.

Edmund Capon lists the ten finest buildings in the world

Edmund Capon will list what he believes are the ten finest buildings in the world when he delivers the 49th Griffin Lecture to the National Press Club on Wednesday 4 November.

Is it possible to bring the qualities that so distinguish these buildings to the ordinary office block In Australia?

‘I’ve chosen palaces of sumptuous indulgence, great monuments to faith, buildings which excite the imagination. They all have one thing in common, a very large dose of the useless,’ Capon says.

‘These are buildings which we really love and which have stood the test of time. But odd though it may seem, it is the useless that has instilled immortality into these great edifices.

‘If only we could embrace such imagination and spirit into the purely functional office blocks and residential towers,’ he says. ‘And while we’re about it let’s ban casinos altogether, if only for their inevitably crass appearance.’

Capon is Chair of the Australian Institute of Architects Foundation that fosters and promotes the creativity of architecture. He will argue that architecture can have a strong positive impact on our cities, and should be nurtured.

Edmund Capon’s Ten Finest Buildings:
• St Peters, Rome
• Pazzi Chapel (Brunelleschi), Florence
• Chateau de Vaux-Le-Vicomte, France
• Notre Dame du Haut, by Le Corbusier, Ronchamp, France
• Taj Mahal, Agra, India
• Temple of Heaven, Beijing
• The Royal Crescent, Bath, UK
• La Defense, Paris
• Opera House, Sydney
• Guggenheim, Bilbao

The Griffin Lecture is a major event for the ACT Chapter of the Australian Institute of Architects. Named in honour of Walter Burley Griffin and Marion Mahoney, it is now in its 49th year.

Previous speakers include Gough Whitlam, John Gorton, architects Roy Grounds and Romaldo Giurgola, historian Manning Clarke, and Lord Mayor Lucy Turnbull.

Beachside jewel crowned winner of the 2015 People’s Choice Award

A sensuous and spacious coastal home has won the crowd vote in the National Architecture Awards’ People’s Choice Award.

Villa Marittima, St Andrews Beach by Robin Williams Architect was selected from the 11 residential projects that were in the running for the honour.

Villa Marittima
Villa Marittima by Robin Williams Architect. Photography: Dean Bradley

In awarding the project at the Victorian Architecture Awards in June, the jury noted ‘To view Villa Marittima simply as a meticulously detailed example of minimalist architecture would be an incomplete interpretation. This home presents a memorable series of living experiences which arise from unique architectural responses to site, brief and the surrounding landscape.’

The project description details that the expansive ocean views are revealed as visitors ascend the home’s tranquil spaces. Much like when climbing a sand dune, the panoramic vista is the reward at the top.

Voters also had the opportunity to tell us which house they voted for and why for the chance to win some great prizes including a paint package from official People’s Choice Award supporter, Dulux, with winners to be announced later in the year.

All projects that were shortlisted by the National Jury for Residential Architecture – Houses (New) and Residential Architecture – Houses (Alterations and Additions) were eligible for the People’s Choice Award.

The winners of the National Architecture Awards as judged by the National Jury will be announced on Thursday 5 November in Brisbane.

Brisbane’s losing streak – Queen’s Wharf

By Richard Kirk and Catherin Bull

As Minister Lynham concludes the negotiations on Queen’s Wharf in Brisbane he needs to take stock before taking this giant leap into the unknown. Much is at risk and it is evident these risks are not recognised or even understood when you compare the delivery process of Brisbane’s Queen’s Wharf to that of Sydney’s Barangaroo – projects identical in scale and significance.

As Sydney’s Barangaroo nears 10 years of development, Brisbane’s Queen’s Wharf is only just at the beginning. The projects are similar in many ways, they are very big, they occupy the western fringe of their respective city centres, they both contain a casino and they are both to varying degrees contentious. But this is where the similarities end.

So what are the differences and why does it matter? Don’t we always do things differently here in Queensland?

Let’s first look at the context of the sites – Barangaroo occupies a disused wharf precinct on the edge of the city, whereas the Queen’s Wharf development is placed within an established part of the city right within the Queensland Government Precinct.

So Sydney has a clean slate of an empty site and Brisbane has a complex existing city context within a setting of 19th Century sandstone buildings. The Sydney context is straightforward because the urban form is flexible, the Brisbane context is complex and challenging because the existing city block sizes and existing heritage buildings (some of our finest) are limiting in design options.

For Sydney’s Barangaroo the public benefit is clear. A disused part of the city is reconnected to the city – it is reintegrated and it provides linkages to the water edge of Sydney harbour. In Barangaroo half of the site is predicted to be left as high quality open public space, the other half is reserved for private development. We understand the symbolic premise of this 50/50 split – it is an equal partnership between public and private interests.

In Queensland we simply are not told what the public benefit is – is it cash? Is it a pedestrian bridge we don’t actually need? Or is it a reclaimed park that sits in the river below an expressway which is noisy, will have air quality issues, and will increase the flood risk? What do we receive in return for handing over our city to the consortium of local and international property moguls? Instead of a disused part of the city like the Sydney example we are handing over an established and intact part of the city – the Queensland Government precinct. So contentious this act is in a state unsupportive of asset sales, the precinct was renamed Queen’s Wharf to obscure the fact it is public land that is to be sold.

Unfortunately for Queensland it gets worse. Not only do we plan to ‘sell’ this symbolic public land and a suite of our finest heritage buildings, we see the proponent of the project, Destination Brisbane, also needs air-rights over William Street in order to accommodate the massive gaming floor. To illustrate why this is a problem next time you walk along William Street, look up and imagine something like Suncorp Stadium floating five stories over you. So what do we see in return for losing a street? Brisbane gets nothing much at all while Sydney gets new high quality streets (most without vehicular traffic) and international standard parks.

Instead of the government communicating the social dividend to the Queensland public, all we get is marketing spin from the preferred proponent reassuring the public all will be wonderful. The Government is absent (perhaps embarrassed as it wasn’t their idea in the first place) and has failed to even attempt to communicate what the public does receive for surrendering the heart of our city and the symbolic centre of the state.

While Sydney’s processes and delivery for Barangaroo are not without substantial issues, they are a stark contrast to the complete lack of consultation and planning for Queen’s Wharf.

Internationally, there are even better examples of governments managing a deal of this scale while retaining the integrity of their city. Singapore’s famous Marina Bay Sands is clearly the inspiration for Queen’s Wharf, it is a noted success and the envy of governments around the world. But in trying to replicate the beguiling imagery of sky decks and champagne the Queensland Government has failed to observe that the Singapore project was placed on the edge of the city on reclaimed land – just like Sydney’s Barangaroo. And the Government failed to also observe its public benefit in the form of funding the construction of a fresh water reservoir that sits between the casino and city.

Singapore gets its water supply for the rights to build its casino – that is a good deal. Sydney has already gained a headland park, with more public space yet to come – that’s great as well. Brisbane gets nothing like Singapore or Sydney in return for handing control of the Government Precinct to an individual developer – hopefully Minister Lynham is confident Brisbane will come out in front like Sydney or Singapore – but we doubt that.

For Queen’s Wharf not only don’t we have a clear understanding of the public benefit for the loss of this part of the city we also don’t have any confidence in the process it has so far been delivered through and looking ahead it is not getting better. With limited independent procedures and lightweight planning controls we are about to simply hand over all of this land and buildings which represent symbolically our shared history. The Queen’s Wharf delivery process is cavalier, high risk and unnecessary, or as a colleague described ‘it’s like a circus’. What is wrong with simply following the South Bank model – it was successful and the public benefit is ever lasting – a sub-tropical park on the river in perpetuity.

Barangaroo, like South Bank also followed a transparent and inclusive process. Barangaroo started with an International Design Competition for the masterplan to establish a vision for that idea – all entries were made public, the jury expert and independent.

Barangaroo then produced a detailed plan of development in consultation with the public and stakeholders. After this document was produced the tender for the development consortia was undertaken. That is, the Government on behalf of the public lead the design process with the aim of balancing interests and achieving outcomes that were transparent, defensible and supportable.

To oversee the complex and diverse interests in the project, a delivery mechanism called the Barangaroo Development Authority (similar to the South Bank Corporation) was formed to oversee the process and to ensure there was design integrity in not just the buildings but also the streets and open public spaces. The Barangaroo Development Authority also oversaw design competitions for each of the development parcels promoting world-class design outcomes.

Barangaroo by and large has been successful and will make a major contribution to the city. This is because the planning occurred well ahead of the financial deal and they established in advance what the public benefit was to be and then embedded it. The vision, the implementation, the procedures de-risked the project for Sydney.

Queen’s Wharf on the other hand is currently operating in reverse. Instead of a series of progressive incremental steps it takes a flying leap into the middle of the process – compressing what Barangaroo did in a few years into a few months. Straight off, the site was thrown over to the financial tender process before any detailed public process for masterplanning the site was even contemplated. The complex process of masterplanning was left to the individual developer consortia to work on in a vacuum without any understanding of public interest or concerns about the project and its impact on the city. Now the financial deal is almost closed and there is still no understanding by the public about what the city will be like at the end of the process.

Couple this with the absence of a proper independent and expert development authority you can understand why all the major professional associations involved in the built environment are deeply worried for the future of the city.

We suggest Minister Lynham undertake the full and detailed review of the project that was promised to us prior to the January 2015 election.

 

Richard Kirk is the President of the Australian Institute of Architects Queensland Chapter, principal of Richard Kirk Architects (Brisbane and Kuala Lumpur) and Adjunct Professor University of Queensland.

Catherin Bull is Emeritus Professor of Landscape Architecture at the University of Melbourne and Adjunct Professor at QUT. She advises governments nationally on urban design and development.